Traslado y fusión del Jazz en Latinoamérica
Bibliografía
Referencias en formato APA 7.ª edición · Ordenadas por categoría temática
Orígenes africanos, esclavitud y raíces musicales
- Berlin, I. (1998). Many thousands gone: The first two centuries of slavery in North America. Harvard University Press.
- Dena, E. (1995). Sinful tunes and spirituals: Black folk music to the Civil War. University of Illinois Press.
- Floyd, S. A. (1995). The power of Black music: Interpreting its history from Africa to the United States. Oxford University Press.
- Levine, L. W. (1977). Black culture and Black consciousness: Afro-American folk thought from slavery to freedom. Oxford University Press.
- Lomax, A. (1993). The land where the blues began. Pantheon Books.
- Southern, E. (1997). The music of Black Americans: A history (3.ª ed.). W. W. Norton & Company.
Gospel y música religiosa afroamericana
- Boyer, H. C. (1995). How sweet the sound: The golden age of Gospel. Elliott & Clark.
- Harris, M. W. (1992). The rise of Gospel blues: The music of Thomas Andrew Dorsey in the urban church. Oxford University Press.
- Heilbut, A. (1997). The Gospel sound: Good news and bad times (actualizado). Limelight Editions.
- Reagon, B. J. (Ed.). (1992). We'll understand it better by and by: Pioneering African American Gospel composers. Smithsonian Institution Press.
- Spencer, J. M. (1990). Protest & praise: Sacred music of Black religion. Fortress Press.
- Weisenfeld, J. (1997). African American women and Christian activism: New York's Black YWCA, 1905–1945. Journal of African American History, 82(2), 174–195. https://doi.org/10.2307/2717512
Historia del Jazz y análisis musical
- Baraka, A. [Jones, L.] (1963). Blues people: Negro music in White America. William Morrow.
- DeVeaux, S. (1997). The birth of bebop: A social and musical history. University of California Press.
- Gioia, T. (2011). The history of Jazz (2.ª ed.). Oxford University Press.
- Gridley, M. C. (2009). Jazz styles: History and analysis (10.ª ed.). Pearson Prentice Hall.
- Kahn, A. (2002). A love supreme: The story of John Coltrane's signature album. Viking Press.
- Monson, I. (1996). Saying something: Jazz improvisation and interaction. University of Chicago Press.
- Murray, A. (1976). Stomping the blues. McGraw-Hill.
- Stearns, M. W. (1958). The story of Jazz. Oxford University Press.
- Szwed, J. (2002). So what: The life of Miles Davis. Simon & Schuster.
- Ward, G. C., & Burns, K. (2000). Jazz: A history of America's music. Alfred A. Knopf.
Jazz, protesta y derechos civiles
- Feldstein, R. (2005). "I don't trust you anymore": Nina Simone, culture, and Black activism in the 1960s. Journal of American History, 91(4), 1349–1379. https://doi.org/10.2307/3660186
- Kelley, R. D. G. (2009). Thelonious Monk: The life and times of an American original. Free Press.
- Monson, I. (2007). Freedom sounds: Civil rights call out to Jazz and Africa. Oxford University Press.
- Ramsey, G. P. (2003). Race music: Black cultures from bebop to hip-hop. University of California Press.
- Rosenthal, D. H. (1992). Hard bop: Jazz and Black music 1955–1965. Oxford University Press.
- Saul, S. (2003). Freedom is, freedom ain't: Jazz and the making of the sixties. Harvard University Press.
- Sherrie Tucker, S. (2000). Swing shift: "All-girl" bands of the 1940s. Duke University Press.
- West, C. (1993). Race matters. Beacon Press.
Jazz en Latinoamérica y diáspora africana global
- Acosta, L. (2003). Cubano be, cubano bop: One hundred years of Jazz in Cuba. Smithsonian Books.
- Béhague, G. (1994). Music and Black ethnicity: The Caribbean and South America. North-South Center Press.
- Castro, D. S. (2007). The Brazilian sound: Samba, bossa nova, and the popular music of Brazil. Latin American Music Review, 28(1), 112–118. https://doi.org/10.1353/lat.2007.0005
- Duany, J. (1984). Popular music in Puerto Rico: Toward an anthropology of salsa. Latin American Music Review, 5(2), 186–216. https://doi.org/10.2307/780101
- Fernández, R. A. (2006). From afro-Cuban rhythms to Latin Jazz. University of California Press.
- García, D. F. (2017). Listening for Africa: Freedom, modernity, and the logic of Black music's African origins. Duke University Press.
- Roberts, J. S. (1979). The Latin tinge: The impact of Latin American music on the United States. Oxford University Press.
- Sublette, N. (2004). Cuba and its music: From the first drums to the mambo. Chicago Review Press.
Jazz contemporáneo, Hip-hop y escena de Los Ángeles
- Chang, J. (2005). Can't stop won't stop: A history of the hip-hop generation. St. Martin's Press.
- Iton, R. (2008). In search of the Black fantastic: Politics and popular culture in the post-civil rights era. Oxford University Press.
- Kajikawa, L. (2009). Eminem's "My Name Is": Signifying whiteness, rearticulating race. Journal of the Society for American Music, 3(3), 341–363. https://doi.org/10.1017/S1752196309990101
- Loza, S. (1999). Tito Puente and the making of Latin music. University of Illinois Press.
- Rabaka, R. (2013). The hip hop archive: A reader on hip hop aesthetics, politics, and pedagogy. Cognella Academic Publishing.
- Shabazz, R. (2015). Spatializing Blackness: Architectures of confinement and Black masculinity in Chicago. University of Illinois Press.
- Washington, K. (2015). The epic [Album triple]. Brainfeeder Records.
Documentales y fuentes audiovisuales
- Burns, K. (Director). (2001). Jazz [Serie documental, 10 episodios]. PBS/Florentine Films.
- Fukunaga, C. J. (Director). (2017). True detective, season 3 [Serie]. HBO. [Referencia contextual para el Jazz del sur profundo]
- Hirsch, L. (Director). (1999). Amandla! A revolution in four-part harmony [Documental]. ATO Pictures. [Referencia comparativa sobre música de protesta]
- Lamar, K. (2015). To pimp a butterfly [Álbum]. Top Dawg Entertainment / Aftermath / Interscope Records.
- Simone, N. (1964). Nina Simone in concert [Álbum en vivo]. Philips Records. [Incluye "Mississippi Goddam"]